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"Where artists become better artists"
Copyright © 1999 * Art In The Mountains * All Rights Reserved

"Light holds the key to creating
form, depth, atmosphere and
texture ... It can help you simplify
a scene, harmonize your
painting and create powerful
statements ... It can mean the
difference between a mediocre
depiction and a painting that
sings."
    Is your passion watercolor or oil?  If
    you would like to progress in your
    knowledge and application of
    either medium, then sign up for
    one or both of Betty Carr's
    workshops.  She will share her
    award-winning techniques that will
    help you build confidence in your
    skills while painting in oils on
    location, or with watercolor in the
    studio.  Emphasis will be placed
    on light, shadow, atmospheric
    perspective and gradation.  Betty is
    the author of Seeing the Light: An
    Artist’s Guide.  Her work has been
    featured in numerous magazines
    such as International Artist and
    American Artist.  She is a signature
    member of Knickerbocker Society
    of Artists.  

"Seeing the Light:
An Artist's Guide"
Betty Carr
Landscape & Architectural
Painting in Oil
Plein air
June 23 - 27
Bend, OR

Watercolor Still Life
Studio
June 30 - July 4
Bend, OR

Cost $580 per class

Beginning to Advanced

Class Outline - Watercolor Still Life
           "This workshop will cover the simplification of my direct approach in understanding characteristics of light, shadow,
    atmospheric perspective and gradation for application in painting the effects of light. Whether your painting style may be
    abstract, experimental, realistic, etc., design and compositional aspects in using light will be discovered during the week.  
    Using light and shadow with sound approaches to directing the eye will be demonstrated.  Utilizing painterly ideas and
    technical tricks pertaining to watercolor will take place.

    The class begins each morning with a spontaneous painterly demonstration/lecture designed to cover essential watercolor
    techniques, etc. along with incorporating important discussions such as non-literal thinking and historical aspects in art
    which may apply to your style.  Students will receive individual instruction and critique as well as group instruction in the
    studio.  Students may also bring paintings done outside the class so that your general style can be discussed.  Emphasis
    during the week will be on simplification and organization of darks and lights, value and color relationships, edges, massing
    shape, direction and other important design applications in creating unique and dynamic paintings along with focusing on
    the spirit of each work.  How to incorporate value studies in your paintings as well as combining photographs to maximize
    your options in creating a masterpiece will also be discussed.  We will be painting in the studio from set ups, photos and
    drawings.  Individual approaches to the variety of subject matter introduced in class will be encouraged as well as your
    creative spirit.  Bring your favorite photos, especially the ones you have been saving for that “challenging painting”.

Class Outline - Landscape & Architectural Painting in Oil
           "This workshop will cover the simplification of my direct approach in understanding characteristics of light, shadow,
    atmospheric perspective and gradation for application in painting the effects of light. The class will begin each morning with
    a spontaneous painterly demonstration/lecture designed to cover essential oil painting techniques: pigment properties,
    brushes and brushwork, glazing, painting surfaces, problems and solutions. Emphasis during the week will be on
    simplification and organization of darks and lights, value and color relationships, edges, direction and mass to create
    unique and dynamic compositions, along with focusing on the spirit of each painting. Through critically “seeing”, we will
    learn how to study light on form, compose it and pull it together for great painting. A value study and its application to one’s
    painting will be covered. A good time will be had by all! Some basic  knowledge of drawing will be helpful.

    *************  Most of class will be on location**************

    BETTY CARR was born and raised in Santa Cruz,
    California and developed a love of art from visiting
    museums. For 23 years she taught art in public schools
    and did sculpture in her spare time. In 1980, she married
    landscape painter, Howard Carr, and they have devoted
    their lives to painting. she and her artist husband,
    Howard Carr, travel several months of each year, from
    Oregon to South Carolina in a specially equipped mobile
    home. In numerous locations, they teach artist
    workshops. She advises her students to draw continually
    because 'drawing is critical to good painting.'


    From the time she was a young girl, Carr has been
    represented by galleries. She has been featured in
    numerous publications including Art of the West,
    Southwest Art, American Artist, Art Talk, American Artist
    and Vitality magazines. She is extremely proud of her
    acceptance into the exclusive Knickerbocker Association
    of New York City.

    Energetic, brightly colored watercolor still lifes are the
    signature work of this artist who is known for her skillful
    use of light, color and shadow in her floral paintings. On
    the influence of light on her watercolors, she writes -
    'What catches my eye is the effect light has on form in
    unique situations whether fleeting, spilling over, striking,
    etc. I challenge myself in capturing its dramatic and/or
    subtle effects. The spontaneous qualities of watercolor
    lends itself perfectly to my impressionistic style of
    painting. I strive for confident enthusiastic brushwork, the
    maximizing of color's value and intensity range and a
    fresh painterly approach, the result appearing effortless.'



    Betty Carr is emerging as one of the foremost
    watercolorists and painters of the southwest. Her use of
    color, light and shade accentuate her subject matter while
    showing her love of nature and its forms.


    Since gaining her MFA from San Jose State University,
    California, Betty has taught painting, drawing and
    sculpture at primary, secondary and college levels and
    has developed a following through both private and
    workshop instruction. She is collected both privately and
    corporately as well as being accepted in numerous juried
    exhibitions.

    Betty in discussing her painting style; impressionism,
    enthusiastic brushwork and the use of light and dark
    shows the enthusiasm and spontaneity of getting the
    scene in her hands.



    Following years of instructing art in Colorado and
    California and developing her distinctive painting style,
    Betty and artist husband Howard Carr decided to follow
    the sun to the southwest where color and light are ever
    present.

    "What catches my eye is the effect light has on form in
    unique situations whether fleeting, spilling over, striking,
    etc. I challenge myself in capturing its dramatic and/or
    subtle effects. I strive for confident enthusiastic
    brushwork, the maximizing of color’s value and intensity
    range and a fresh painterly approach, the result
    appearing effortless" -Betty Carr