.
"Where artists become better artists"
Copyright © 1999 * Art In The Mountains * All Rights Reserved
"I hope my pieces are like
a glance when we see
something that makes us
linger for a moment."
    Learn how to paint the effects of light
    in pastel or oil.  Richard will
    demonstrate the basics of painting on
    location, “en plein air”, taking the
    fieldwork to completion and how to
    work from your field studies back in
    the studio.  Through individual
    attention, group critiques and class
    discussions you will leave with a clear
    understanding of the universal basics
    of painting and the techniques
    employed by Richard.  His work is
    often featured in The Pastel Journal
    and he is a signature member of PSA
    (Pastel Society of America), PSWC-DP
    (distinguished pastelist), NPS, PSO,
    and a master signature member of the
    Plein Air Painters Northwest Society.

"Pure Color
The Best of Pastel"
Richard McKinley
Oil & Pastel
en Plein air

July 28 - August 1
Bend, OR

Cost $600

Beginning to Advanced

    RICHARD MCKINLEY.  Working very closely with nature
    "en plein air", on location, has led to a much greater
    appreciation of the natural world around me.
    Photography, a useful tool, is not a substitute for being
    there and becoming a part of the exchange of nature, eye
    and mind. Light is the motivating factor; without it there
    would be nothing. Leonardo da Vinci was once quoted as
    saying. "You have but one master and that is Nature".

    I was born in the Rogue Valley of Oregon and spent my
    youth growing up with the rivers and mountains that form
    this special place. It is from these subjects that I receive
    inspiration. My goal is to capture a piece of the
    spontaneous dance of light across the palette of nature.
    Working on location forces me to get in touch with the
    moment allowing no time for detailed studies of things.
    Most of my time now is divided between painting in
    places I adore, like New Mexico and the central coast of
    California. As well as teaching and writing

    CURRENT GALLERIES

    William Zimmer Gallery, Mendocino, CA
    Mockingbird Gallery, Bend, OR
    AFFILIATIONS

    Signature Member, Pastel Society of America, 2005 -
    present
    Signature Distinguished Pastelist, Pastel Society of the
    West Coast, 1998 - present
    Signature Member, Northwest Pastel Society,1998 -
    present
    Member, Oil Painters of America, 2000 - present
    Signature Master Pastelist, Oregon Pastel Society, 1998 -
    present
    Master Signature, Plein-air Painters Northwest Society
    Honorary Member, Southern Oregon Society of Artists,
    1984 - present

    PUBLICATIONS
    Included in:

    "A Painters Guide to Design and Composition", North
    Light Books, Jan.,2006 by Margot Schulzke
    "Pure Color, the Best of Pastel", North Light Books, Fall
    2005
    Pastel Journal, December 2005, "From the Master's
    Hand", by Loraine Crouch
    Cover, Pastel Journal, Nov. / Dec. 2003, "Broken Top
    Evening"
    Focus Santa Fe, Aug. / Sept. 2003, "The Profound
    Wonder of Simple Places" by Wolfgang Mabry
    Articles written by Richard McKinley:

    Pastel Journal, February 2007, "Making the Most of Your
    Mistakes"
    Pastel Journal, August 2006, "From the ground Up"
    Pastel Journal, October 2005, "Overcoming Obstacles"
    Pastel Journal, December 2004, "Winter: An Unexpected
    Bounty of Inspiration"
    Pastel Journal, August 2004, "Destination Painting"
    Pastel Journal, February 2004, "Right Before Your Eyes"
    Pastel Journal, Nov. / Dec. 2003, "Am I Done Yet?"
    Pastel Journal, Sept. / Oct. 2003, "Pushing the Medium"
    Pastel Journal, July / Aug. 2003, ""Go Ahead, Break the
    Rules"
    Pastel Journal, May / June 2003, "Becoming Your Own
    Editor"
    Pastel Journal, March / April 2003, "From Plein Air to
    Studio Work"

    EXHIBITIONS
    Over 50 since 1974. Most recently:

    Collectors Classic, Mockingbird Gallery, Bend Oregon,
    2001 thru 2005
    Plein Air Invitational, Mockingbird Gallery, Bend, Oregon,
    2003 thru 2006
    Pastels USA International, Pastel Society of the West
    Coast, CA 2004, 2003, 2002, 2001, 1999
    Northwest Pastel Society, International Exhibition, WA,
    2003, 2002, 2001

    Oil Painters of America 10th National, Zantman Galleries,
    Palm Desert, CA, 2001
    "Art in Bloom Invitational", Rogue Gallery, Medford, OR,
    2001, 2005
    "Plein Air Expressions of the Northwest", Rogue Gallery,
    Medford, OR, 2000
    12th National Juried Exhibit. Pastel Society of Oregon,
    Roseburg, OR, 2000
    Northwest Pastel Society Membership Show, Alder
    Gallery, Eugene, OR, 1999
    11th National Juried Exhibit, Pastel Society of Oregon,
    Salem, OR, 1998
    10th National Juried exhibit, Pastel Society of Oregon,
    Coos Bay, OR, 1997

    STUDY
    Plein Air Pastel/Oil Workshops, Albert Handell, NM
    Oil Plein Air Workshop Lake Tahoe CA, T. M. Nicholas, MA
    Academic Workshops in Oil Portrait Painting, Frank
    Covino, VT
    Private Study, James Snook and Margaret Stahl Moyer

    TEACHING HISTORY
    Oil and Pastel en plein air, International Workshops 2006,
    Medford, OR; Provence, France; MT Vernon, WA;
    Bozeman, MT; Taos, NM; Honolulu, HI
    Oil and Pastel en plein air, National Workshops 2005,
    Ridgecrest, CA; Santa Fe,NM; LaConner, WA; Bend, OR;
    Asheville, NC
    Oil and Pastel en plein air, National Workshops 2004,
    Ridgecrest, CA; Walla Walla, WA; Santa Fe, MN; Bend,
    OR; Coupeville, WA; Santa Rosa, CA; Albuquerque, NM
    Oil and Pastel en plein air, National Workshops 2003,
    Chico, CA; Bend, OR; Santa Fe, NM
    Oil and Pastel en plein air, National workshops 2002,
    Redding, CA; Medford, OR; Salem, OR, Santa Fe, NM
    Oil en Plein Air Workshop, "Art in the Mountains", Bend,
    OR, 2001
    Oil and Pastel Academic Instruction, Medford, OR, 1976 -
    present
    Oil and Pastel Academic Instruction, Grants Pass, OR,
    1980 - 2003
    Oil and Pastel Academic Instruction, Redding, CA, 1983 -
    2002
    Petrolia, CA, Plein Air Workshop, 1998
    Numerous Workshops in Oil Portraiture, Oil Seascape,
    Oil Plein Air and Pastel
    Featured Instructor for National Workshops at the
    "Lighthouse Art Center", Crescent City, CA, 1987 - 1997

    HONORS
    Over two hundred individual awards and honors since
    1974. Most recently:

    Distinguished Pastelist, Pastel Society of the West Coast
    Clark Mitchell Award, Pastel Society of the West Coast
    18th Annual International Open 2004, Bob Gerbracht
    Judge
    M. A.& Hazel K. Harmon Memorial Award, Pastel Society
    of the West Coast 17th Annual International Open 2003,
    Duane Wakeham Judge
    Women Painters of the Northwest Award, 17th
    International Exhibition, Richard McDaniel Juror/Judge,
    Northwest Pastel Society, 2003
    Finalist Landscape division, Pastel Journal 3rd Annual
    Pastel 100, 2002
    ADG Postcard Award,16th International Exhibition, Anne
    Heywood Juror/Judge, Northwest Pastel Society, 2002
    Wakeham/Sutherland Award, Pastel Society of the West
    Coast 15th Annual International Open 2001, Albert
    Handell Juror/Judge
    Purchase Award, Art in Bloom, Rogue Gallery Medford,
    OR 2001
    PSO Award, Pastel Society of Oregon National Exhibit
    2000, Colleen Howe Juror/Judge
    PSO Member Award, Pastel Society of Oregon 11th
    National Exhibit, Bob Gerbracht Juror, Kitty Wallis Judge,
    1998
    Award of Merit, Pastel Society of Oregon 10th National
    Exhibit, Doug Dawson Juror/Judge, 1997
    Judge and Juror for numerous National competitions.

    Including:
    The Pastel Society of America
    The Northwest Pastel Society
    The Pastel Society of New Mexico
    The Pastel Society of the West Coast

Class Outline
           "Pastel and oil are kindred mediums to Richard.  In this workshop he will share his working methods as well as
    passion for both.  The basics of painting on location, "en plein air", taking the field work to completion and working from
    your field studies back in the studio will be demonstrated.  Students will leave with a clear understanding of the
    universal basics of painting and the techniques employed by Richard in his work.  Each day will have demonstrations
    and time spent individually at each students easel.  Group critiques and discussions will round out the week.